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The problem is that they don’t give a shit about the set that houses the Days of Our Lives’ Tara, all they care about is getting rid of it & put everything else first ahead of it, they need to realize that without that set the houses Alice & Tom’s Tara, so to speak, there is no show & to put everything else ahead of it, is garbage, don’t you think?
With what Nicole had told Sloan Friday of what she went through & that she was strong enough to go through with what she was dealt & is trying her best to earn Sloan’s forgiveness & throwing the party to show no ill will at all & earning it, if she’s strong enough to think that it was her child that died, with her thinking it was her child, she can survive the truth about her daughter & with Brady, they can put Holly on the path of sobriety, given how long that Brady had been sober for, right?
The other question regarding this, is this: how-come it isn’t it resonating Holly’s persistence to defend Tate but yet it falls on deaf ears, & with Brady saying what he’s saying to Eric, no one is acting on anything? It’s like they want Brady to have no son in his life, & he & Eric keep blaming Kristen when all Rachel sees is her daddy’s actions, not once have seen Kristen holding a gun to Brady’s head & force him to act on his actions, now do we? Believe me, once they put it into motion of Kristen egging Brady’s actions, for Rachel to see, the blame would be on the both of them, now wouldn’t it?
But EJ not knowing about the DNA Test done at that time, it doesn’t matter that EJ’s was already on file, with EJ not knowing about the DNA test at that time, would Kayla be in any position to use what is on file given that EJ never knew about that test?
You tell me how odd it is that when Constantine heard the dynamics of Eli’s promotion, he makes a call, then they play up that Eli & Lani were willing to stay by being talked into staying & then questioning whether or not they should accept the promotion & then with Eli not being suspicious at all & or not knowing everything at all about Constantine, that he tips off Constantine about who’s he’s working for & describes what he would be doing, that it isn’t suspicious at all that Constantine had to hear about the details of the promotion, if Eli’s promotion might pose a risk to Constantine, remember, Eli was shot by Lani’s birth-father, wasn’t he?
It doesn’t matter that Eli doesn’t know & that he hasn’t seen John or Steve, & that it doesn’t matter that Eli has no reason, as of yet to be suspicious, but isn’t it odd that they were willing to stay if Paulina wanted them to stay & that they were questioning whether not that Eli should accept the promotion or not, & then play up that once Const learning what all comes with the promotion, he makes a fast exit to make a call & you tell me how that isn’t telling?
Then how come after Constantine heard what Eli needed to do when it came to his promotion, that Const made a bee-line out of there to make a call, if Eli is no threat to Constantine, wouldn’t you think that Consty-boy should have stayed there & not make his call? Especially given that he put on an act of a lifetime to sell it that he adored Eli’s children scampering about when Maggie was looking after them, especially, when him looking at Victor’s portrait, he acts like that he has Eli, Julie, & Maggie wrapped around his little finger & was enjoying it?
It’s just a theory. If it’s off-screen, is it considered to be too violent for Days? then isn’t it telling that once Eli had tipped off Maggie his promotion & what it entails that Const flies out of the room to make a call & also because that Eli & Lani were questioning whether or not that Eli should take the promotion or not & that they were willing to stay if Paulina wanted them to, as well???
That’s what we are getting. Tate accused of slipping narcotics to Holly, the same way Will was accused of killing Stephano when Neil came out of the woodwork to give Will an alibi, right? What I don’t get is that when Tate had said that he had found Holly after her overdose, wouldn’t that show that she had the narcotics on her, showing her possession of them & yet no one takes a hint, now do they? Anyone who’s anyone could come forward & give Tate an alibi as to where Holly had bought those narcotics, i.e. the school grounds, i.e. what Neil did for Will when they were at the Spot, together.
What I’m getting at is that when Eli tipped off Maggie of his promotion, Constantine ran out of the room to make a call when he heard that Eli would be making foreign assignments, that scares Constantine, so he quickly made a call to hire someone to plant a car-bomb to kill Eli & his family on the way to the airport. Remember, that was Eli told his grandmother what happened to his dad when his dad had a motorcycle accident, he told his grandmother of her son’s death that happened off-screen, didn’t he?
But keeping Eli & his wife & children to stay in Salem wouldn’t have Constantine to put it into motion by killing Julie’s grandson & family, now would there, look at how fast Eli & Lani made the decision to leave & then tip off Constantine to put their murders into play by having Constantine to be tipped off of Eli’s promotion, that led to his hasty retreat to put it into motion of the murders of Julie’s family. SideNote: I’m not buying that Victor had John to kill Constantine’s daughter, because then that would vilify Victor to Maggie for one thing & plus it mirrors Orph’s story when he thought that John had killed Orph’s wife & that ended up being Roman that had done that, do we need that story reverberated with Constantine, but instead of his wife, it’s his daughter.
But yet there was a need for Lucas to take the rap & went to prison for it, wasn’t it? So was it needed to poke holes in Brady’s story to shoot it down?
I’m not bringing reality into it at all. What I’m bringing up is that by hearing the Renee’s ADR coming from the stand-in who’s mouthing it, would make it believable to the Abe character, so he would hear the recorded voice & recognizing it belonging to the character that Renee brought to life. That’s what I’m getting at, by having the character to hear the original actress’ voice, so he would recognize it.
